It also, to some extent, is part romance in the way both Hannibal Lector and Clarice Starling treat each other when they finally meet up. Like many detective genres, the semantic levels are fairly clear from the start of the novel. An example of the semantic attributes of the detective story would be as follows: the unappreciated detective; strong, believable characters; a twisting plot; villains (both liked and despised); and a narrative outside of the views of the characters. The syntactic level, or the formula, of this particular novel is rather interesting because instead of the detective redeeming her career by solving the case, she becomes so enrapt with the antagonist that she becomes more like him. The formula for this novel would be as follows: The female detective is treated with the contempt and resentment of her peers who have been longing for her downfall; the detective is given a chance to redeem herself by taking a seemingly impossible assignment to solve; the detective …

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